This class investigates the theory, method, and form of collage. It studies …
This class investigates the theory, method, and form of collage. It studies not only the historical precedents for collage and their physical attributes, but the psychology and process that plays a part in the making of them. The class was broken into three parts, changing scales and methods each time, to introduce and study the rigor by which decisions were made in relation to the collage. The class was less about the making of art than the study of the processes by which art is made.
An intensive 9 DAY remote collaborative workshop involving MIT and Miyagi University …
An intensive 9 DAY remote collaborative workshop involving MIT and Miyagi University in Japan. The objective is to develop a small housing project using shape computation as a design methodology. Students will use and test new interactive software for designing, sharing applications with overseas partners, presenting projects on an Internet workspace, and critiquing design proposals through the web and other advanced digital technologies. Students will be expected to do most of their work in class.
This is the second undergraduate architecture design studio, which introduces design logic …
This is the second undergraduate architecture design studio, which introduces design logic and skills that enable design thinking, representation, and development. Through the lens of nano-scale machines, technologies, and phenomena, students are asked to explore techniques for describing form, space, and architecture. Exercises encourage various connotations of the "machine" and challenge students to translate conceptual strategies into more integrated design propositions through both digital and analog means.
This architectural studio will have one main project for the semester: to …
This architectural studio will have one main project for the semester: to explore the issues surrounding the redesign of an area in Havana Cuba. It is a typical area about the size of a Law of Indies block that presently has a mix of housing, work, and shopping in buildings that need to be replaced and others that need to be rehabilitated. There is also vacant land, and buildings that are unused. Part of the blocks front on the Malecon, the street next to the water. The other edge fronts onto a typical neighborhood. The intention is to study the culture through an understanding of one area of Havana and then design an "echo" in architectural form. The design will include public space as well as a mix of buildings: some new, some rehabilitated.
This subject introduces skills needed to build within a landscape establishing continuities …
This subject introduces skills needed to build within a landscape establishing continuities between the built and natural world. Students learn to build appropriately through analysis of landscape and climate for a chosen site, and to conceptualize design decisions through drawings and models.
While no businesses succeed based on their architecture or space design, many …
While no businesses succeed based on their architecture or space design, many fail as a result of inattention to the power of spatial relationships. This course demonstrates through live case studies with managers and architects the value of strategic space planning and decision making in relation to business needs. The course presents conceptual frameworks for thinking about architecture, communication and organizations. This course is offered during the Sloan Innovation Period (SIP), which is a one-week period at the MIT Sloan School of Management that occurs midway through each semester.
Cairo still shines as a major cultural, political, and economic center in …
Cairo still shines as a major cultural, political, and economic center in its three spheres of influence: the Arab world, Africa, and the Islamic world. This course narrates the history of the city from the initial settlement on the site (640s) to the present, reviews its urban and architectural developments, and connects them to their Islamic and Mediterranean architectural and cultural contexts.
Triumphal Arch of Septimius Severus, 203 C.E., marble above a travertine base, …
Triumphal Arch of Septimius Severus, 203 C.E., marble above a travertine base, roughly 23 x 25 m, Roman Forum speakers: Dr. Darius Arya, executive director of the American Institute for Roman Culture and Dr. Beth Harris This video was made in collaboration with the American Institute for Roman Culture.
Take a guided virtual tour of the Scrovegni (Arena) Chapel, in Padova, …
Take a guided virtual tour of the Scrovegni (Arena) Chapel, in Padova, Italy — thanks to Matthew Brennan. 360-degree video allows you to look around the interior freely, and provides a new perspective on this masterpiece of Italian Renaissance art. See the frescoes up-close and at eye-level, as if you were floating right in front of them, thanks to a new approach developed by Mirror Stage Studio. Narration by SmartHistory: www.smarthistory.org Video production by Mirror Stage: www.mirrorstage.io This video makes use of imagery available in the public domain, as well as provided by Smarthistory. Created by Smarthistory.
Art Appreciation thoroughly investigates how quality is determined and created by artists …
Art Appreciation thoroughly investigates how quality is determined and created by artists in order to evaluate and appreciate art on a deeper level. This course emphasizes why each topic contributes to valuing a piece of art and provides the necessary knowledge to do so. Students are first introduced to the elements and principles of art and the importance of artists’ context and perspective. The course then covers different periods in art history, different techniques in art, and how to research and evaluate art.
This course is an exploration of visual art forms and their cultural …
This course is an exploration of visual art forms and their cultural connections across historical periods, designed for the student with little experience in the visual arts. It includes brief studies in art history, and in-depth inquiry into the elements, media and methods used in a wide range of creative processes. At the beginning of this course, you will learn a five-step system for developing an understanding of visual art in all forms, based on:
1. Description: A work of art from an objective point of view – its physical attributes and formal construction.
2. Analysis: A detailed look at a work of art that combines physical attributes with subjective statements based on the viewer's reaction to the work.
3. Context: Historical, religious or environmental information that surrounds a particular work of art and which helps to understand the work's meaning.
4. Meaning: A statement of the work's content. A message or narrative expressed by the subject matter.
5. Judgment: A critical point of view about a work of art concerning its aesthetic or cultural value.
After completing this course, you will be able to interpret works of art based on this five-step system; explain the processes involved in artistic production; identify the many kinds of issues that artists examine in their work; and explain the role and effect of the visual arts in different social, historical and cultural contexts.
What is art conservation? Who does it and how does it work? …
What is art conservation? Who does it and how does it work? Take a behind-the-scenes look inside the Art Conservation department at the Isabella Stewart Gardner Museum and meet the team of trained conservators who specialize in the treatment of objects, paintings, and textiles. Want to learn more about art conservation at the Gardner? Visit http://www.gardnermuseum.org/collection/conservation Filmmaking by SheridanWorks.
This subject focuses on the objects, history, context, and critical discussion surrounding …
This subject focuses on the objects, history, context, and critical discussion surrounding art since World War II. Because of the burgeoning increase in art production, the course is necessarily selective. We will trace major developments and movements in art up to the present, primarily from the US; but we will also be looking at art from Europe, Asia, Africa, Latin America, and the Middle East, as well as art "on the margins" -- art that has been overlooked by the mainstream critical press, but may have a broad cultural base in its own community. We will ask what function art serves in its various cultures of origin, and why art has been such a lightning rod for political issues around the world.
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