The aim of the students from the Numeric Photography class at the MIT Media Laboratory was to present an exhibition of digital artworks which blend photography and computation, in the context of scene-capture, image-play, and interaction. Equipped with low-end digital cameras, students created weekly software projects to explore aesthetic issues in signal processing and interaction design. The results are more than a hundred Java applets -- many of which are interactive -- that suggest new avenues for image-play on the computer. These weekly exercises led to the final product, an exhibition of the student work.

Combines practical instruction, readings, lectures, and group discussions intended to foster an aesthetic appreciation of photography and digital imaging, and a critical awareness of how images in our culture are produced and constructed. Practical instruction in basic black and white techniques, digital imaging, fundamentals of 35mm camera operation, studio lighting, film exposure and development, and darkroom printing. A student-initiated term project provides opportunity to develop technical and perception skills. Work is presented in a critical form throughout term. students. Subject combines practical instruction, readings, lectures, field trips, visiting artists, group discussions, and individual reviews. Fosters a critical awareness of how images in our culture are produced and constructed. Student-initiated term project at the core of exploration. Special consideration given to the relationship of space and the photographic image. Practical instruction in basic black and white techniques, digital imaging, fundamentals of camera operation, lighting, film exposure, development, and printing.

Subject engages a dialogue with architecture and urbanism from the perspective of the visual artist. Ideas investigated thematically from early modernist practices to the most recent examples of contemporary production. Art making as an adjunct to the design process is challenged by both synthetic and critical models of production. Visual art practice is examined as a conceptual prologue to architectural and urbanistic thinking, as an integrated part of the design process, and as a critical epilogue. Lectures and discussions lead to the development of realized projects to be coordinated with architectural studio. This seminar engages in the notion of space from various points of departure. The goal is first of all to engage in the term and secondly to examine possibilities of art, architecture within urban settings in order to produce what is your interpretation of space.

6.883 is a graduate seminar that investigates a variety of program analysis techniques that address software engineering tasks. Static analysis topics include abstract interpretation (dataflow), type systems, model checking, decision procedures (SAT, BDDs), theorem-proving. Dynamic analysis topics include testing, fault isolation (debugging), model inference, and visualization. While the course focuses on the design and implementation of programming tools, the material will be useful to anyone who wishes to improve his or her programming or understand the state of the art. Students are expected to read classic and current technical papers, actively participate in class discussion, perform small exercises that provide experience with a variety of tools, and complete a team research project.

Queer Fashion & Style: Stories from the Heartland—An Exhibition Catalog analyzes the recent history of fashion through a queer lens by examining how queer identities are negotiated in everyday styles by women in the Midwest part of the United States from the late twentieth century to the present.

What are the circuits, mechanisms and representations that permit the recognition of a visual scene from just one glance? In this one-day seminar on Scene Understanding, speakers from a variety of disciplines -- neurophysiology, cognitive neuroscience, visual cognition, computational neuroscience and computer vision -- will address a range of topics related to scene recognition, including natural image categorization, contextual effects on object recognition, and the role of attention in scene understanding and visual art. The goal is to encourage exchanges between researchers of all fields of brain sciences in the burgeoning field of scene understanding.

Explores photography as a disciplined way of seeing, investigating landscapes, and expressing ideas. Readings, observations, and photographs form the basis of discussions on landscape, light, detail, place, poetics, and ways of seeing, among other issues. A rudimentary understanding of photography and access to a camera required.

Supplementary work on individual or group basis. Registration subject to prior arrangement for subject matter and supervision by staff. From the course home page: Millions of people are on-line today and the number is rapidly growing - yet this virtual crowd is often invisible. In this course we will examine ways of visualizing people, their activities and their interactions. Students will study the cognitive and cultural basis for social visualization through readings drawn from sociology, psychology and interface design and they will explore new ways of depicting virtual crowds and mapping electronic spaces through a series of design exercises.

This class is jointly sponsored by the MIT Museum, Massachusetts Bay Maritime Artisans, the Department of Mechanical Engineering's Center for Ocean Engineering, and the Department of Architecture. The course teaches the fundamental steps in traditional boat design and demonstrates connections between craft and modern methods. Instructors provide vessel design orientation and then students carve their own shape ideas in the form of a wooden half-hull model. Experts teach the traditional skills of visualizing and carving your model in this phase of the class. After the models are completed, a practicing naval architect guides students in translating shape from models into a lines plan. The final phase of the class is a comparative analysis of the designs generated by the group.

The transition from high school and home to college and a new living environment can be a fascinating and interesting time, made all the more challenging and interesting by being at MIT. More than recording the first semester through a series of snapshots, this freshman seminar will attempt to teach photography as a method of seeing and a tool for better understanding new surroundings. Over the course of the semester, students will develop a body of work through a series of assignments, and then attempt to describe the conditions and emotions of their new environment in a cohesive final presentation.

This is a laboratory experience course with a focus on photography, electronic imaging, and light measurement, much of it at short duration. In addition to teaching these techniques, the course provides students with experience working in a laboratory and teaches good work habits and techniques for approaching laboratory work. A major purpose of 6.163 is to provide students with many opportunities to sharpen their communication skills; oral, written, and visual.

Focuses on the production of visual art for public places outside the gallery/museum context. Readings and discussions that engage aesthetic, social, political, and urban issues relevant to this expanded public context complement studio production. Traditional approaches of enhancement and commemoration are contrasted to more temporal and critical methodologies. Historical models are studied and discussed, including Russian Constructivist experiments, the Situationists, Conceptual Art, and more recent interventionist tactics.

This open resource was created by Texas Woman’s University undergraduate students in an upper-level visual arts course titled Issues in Contemporary Art.  Working in groups, the students created at total of seven lesson plans that explore the themes: Art and Disability, Dark Surrealism, Eco-Art, Expressing Identity with the Human Body, Kitsch in Art, Mental Health/Illness in Art, and The Gaze Sexuality and Perceptions of the Female Body. The themes covered in the lesson plans were student-generated and reflect current student interests in contemporary art.  Each lesson plan contains a curated background reading list, suggested artists and artworks to examine, discussion questions, short artist biographies, and additional resources.  The structure of the lesson plan is modeled after the Art History Teaching Resources (AHTR) (http://arthistoryteachingresources.org/).

Unit 01 covers a set of intellectual tools used to analyze and appreciate visual art. 

Unit 02 focuses on five basic terms used in the analysis of works of visual art. Form, Content, Techniques, Historical Connection, and Value. 

Unit 03 focuses on the kinds of value that works of art have. This unit helps to establish that works of art have many kinds of value. 

Unit 06 takes a deeper look at the techniques of art and allows time for you to explore and watch artists at work.

Unit 07 of the course seeks to develop the research tool, as we engage the various historical lineages of visual art more deeply.