The Emperor Triumphant (Barberini Ivory), mid-6th century, ivory, inlay, 34.2 x 26.8 x 2.8 (Musée du Louvre, Paris) Speakers: Dr. Steven Zucker and Dr. Beth Harris.

Bronze statue of the emperor Trebonianus Gallus, 251-53 C.E., bronze, 241.3 cm high (The Metropolitan Museum of Art) Speakers: Dr. Elizabeth Marlowe and Dr. Beth Harris.

A Shinnecock artist's view. A conversation with Courtney M. Leonard and Beth Harris in front of Courtney Leonard's ARTIFICE Ellipse | Log: 18-3, coiled micaceous clay with glaze, 5 3/8 x 15 x 7 inches (Newark Museum of Art) © Courtney M. Leonard A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Emanuel Gottlieb Leutze, Westward the Course of Empire Takes Its Way (mural study for the United States Capitol building), 1861, oil on canvas, 84.5 x 110.1 cm (Smithsonian American Art Museum, Bequest of Sara Carr Upton, 1931.6.1), A Seeing America video Speakers: Carol Wilson, Lunder Education Chair, Smithsonian American Art Museum and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

The Erechtheion, 421-405 B.C.E. (Classical Greek), Acropolis, Athens. Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Steven Zucker and Beth Harris.

These two large Etruscan cemeteries reflect different types of burial practices from the 9th to the 1st century BC, and bear witness to the achievements of Etruscan culture. Which over nine centuries developed the earliest urban civilization in the northern Mediterranean. Some of the tombs are monumental, cut in rock and topped by impressive tumuli (burial mounds). Many feature carvings on their walls, others have wall paintings of outstanding quality. The necropolis near Cerveteri, known as Banditaccia, contains thousands of tombs organized in a city-like plan, with streets, small squares and neighbourhoods. The site contains very different types of tombs: trenches cut in rock; tumuli; and some, also carved in rock, in the shape of huts or houses with a wealth of structural details. These provide the only surviving evidence of Etruscan residential architecture. The necropolis of Tarquinia, also known as Monterozzi, contains 6,000 graves cut in the rock. It is famous for its 200 painted tombs, the earliest of which date from the 7th century BC.

Images drawn from the expedition that founded the lost colony of Roanoke. James Wooldridge, Indians of Virginia, c. 1675, oil on linen, 75.6 x 108.6 cm (Crystal Bridges Museum of American Art), a Seeing America video Speakers: Dr. Mindy Besaw, Curator of American Art, Crystal Bridges Museum of American Art and Dr. Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

A conversation with Dr. Steven Zucker and Dr. Beth Harris Special thanks to the Macaulay Family Foundation. Created by Beth Harris and Steven Zucker.

Exekias, Dionysos Kylix, c. 530 B.C.E. (Antikensammlungen, Munich) Speakers: Dr. Steven Zucker & Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

A conversation between Dr. Beth Harris and Dr. Steven Zucker in front of an Attic black figure amphora by Exekias (potter and painter), archaic period, c. 540-530 B.C.E., 61.1 cm high, found Vulci (Gregorian Etruscan Museum, Vatican). Created by Beth Harris and Steven Zucker.

Face to face with the Missouri voters. George Caleb Bingham, Country Politician, 1849, oil on canvas, 51.8 x 61cm (Fine Arts Museums of San Francisco). Speakers: Emily Jennings, Director of School and Family Programs, Fine Arts Museums of San Francisco and Steven Zucker A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Politics and humanity in 1970s New York. Faith Ringgold, Ben, c. 1978, soft sculpture/mixed media, 99.1 x 30.5 x 30.5 cm (Toledo Museum of Art, ©Faith Ringgold) speakers: Dr. Halona Norton-Westbrook, Director of Curatorial Affairs and Curator of Modern and Contemporary Art, Toledo Museum of Art and Dr. Beth Harris. Created by Smarthistory. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Marisol Escobar, The Party, 1965-66, fifteen freestanding, life-size figures and three wall panels, with painted and carved wood, mirrors, plastic, television set, clothes, shoes, glasses, and other accessories, variable dimensions (Toledo Museum of Art, © artist’s estate) speakers: Dr. Halona Norton-Westbrook, Director of Curatorial Affairs, Toledo Museum of Art and Dr. Steven Zucker. Created by Smarthistory. Find learning related resources here: https://smarthistory.org/seeing-america-2/

This outfit was likely made for a British lieutenant and gifted to him in a ritual exchange to show mutual respect. Anishinaabe outfit, c. 1790, collected by Lieutenant Andrew Foster, Fort Michilimackinac (British), Michigan, Birchbark, cotton, linen, wool, feathers, silk, silver brooches, porcupine quills, horsehair, hide, sinew; the moccasins were like made by the Huron–Wendat people (National Museum of the American Indian, Smithsonian Institution) Speakers: Dr. David Penney, Associate Director for Museum Scholarship, Exhibitions, and Public Engagement, National Museum of the American Indian and Dr. Steven Zucker A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Apollodorus of Damascus, The Forum of Trajan, dedicated 112 C.E.., Rome. A conversation with Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

A conversation at the American Museum of Natural History between Dr. Laurel Kendall, Curator, Asian Ethnographic Collections and Dr. Monique Scott, Assistant Director of Cultural Education in front of four Buddhist sculptures: Seated Gautama Buddha, 18th Century, cast brass, gilt (Thailand) Gandharan Seated Buddha with Double Halo, attributed to the 3rd Century, green-gray schist (Pakistan) Jizo, Kshitigarbha, Dhyani-Bodhisattao, 19th Century, wood, gold (Japan) Budai (Ho t'ai)/Maitreya, The Laughing Buddha, c. 1900, metal (China). Produced by Dr. Beth Harris and Dr. Steven Zucker for Smarthistory at Khan Academy. Created by Beth Harris and Steven Zucker.

Video by SFMOMA. Beginning in the early 1990s, Fred Wilson shook the museum world with his artistic interventions. At the Maryland Historical Society, he used the conventions of the the museum itself to comment on race, with startling juxtapositions such as 19th century armchairs displayed with slave shackles and a whipping post amongst finely crafted woodworking. His work uncovers inherent cultural biases and disrupts the more traditional way many Americans understand museums. Created by Smarthistory.

Frescoes from Akrotiri, on the Cycladic island Thera (Santorini), Greece, 16th century B.C.E., Aegean Bronze Age (National Archaeological Museum, Athens). Created by Beth Harris and Steven Zucker.

Stunning beadwork and a story of forced migration. Shoulder Bag, 1840-1850, Delaware, Lenni Lenape, cotton, wool, silk, glass beads, tinned iron, brass, bone, 29 1/2 inces high (Newark Museum of Art, Purchase 2017 Mr. and Mrs. William V. Griffin Fund 2017.10) A conversation with Dr. Adriana Greci Green and Dr. Beth Harris A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Euphronios, Sarpedon Krater, (signed by Euxitheos as potter and Euphronios as painter), c. 515 B.C.E., red-figure terracotta, 55.1 cm diameter (National Museum Cerite, Cerveteri, Italy) Speakers: Dr. Erin Thompson and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.