African Americans and the price of discrimination. Jacob Lawrence, Ambulance Call, 1948, tempera on board, 61 x 50.8 cm (Crystal Bridges Museum of American Art) Speakers: Jennifer Padgett, assistant curator, Crystal Bridges Museum of American Art and Beth Harris A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Male harp player from Keros, c. 2600--2300 B.C.E., Early Cycladic period, marble, 22.5 cm high (National Archaeological Museum, Athens). Speakers: Dr. Beth Harris and Dr. Steven Zucker

Henry VII Chapel, Westminster Abbey, London, begun 1503. Speakers: Dr. Steven Zucker and Dr. Beth Harris.

Drs. Gross and Agnew, and the advance of 19th century medicine. Thomas Eakins, Portrait of Dr. Samuel D. Gross (The Gross Clinic), 1875, oil on canvas, 243.8 x 198.1 cm (Philadelphia Museum of Art) and Thomas Eakins, The Agnew Clinic, 1889, oil on canvas, 214 cm × 300 cm (Philadelphia Museum of Art) A conversation with Dr. Kathleen A. Foster, The Robert L. McNeil, Jr., Senior Curator of American Art, and Director, Center for American Art at the Philadelphia Museum of Art A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

What does William Penn have to do with a little boy and a lion? Edward Hicks, The Peaceable Kingdom, 1826, oil on canvas, 83.5 x 106 cm (Philadelphia Museum of Art) Speakers: Barbara Bassett, Curator of Education, School and Teacher Programs at the Philadelphia Museum of Art and Beth Harris A Seeing America video. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

A Hindu temple can be a simple structure by the side of the road or a large complex including many buildings. Temples serve as dwelling places for deities, surrounded by markets selling offerings and flowers. The inner sanctuaries are small and intended for a few worshippers at a time. Above the sanctuaries are central towers, shaped like the mountain home of the gods and brightly painted. Created by Asian Art Museum.

A nude in Victorian America. Hiram S. Powers, The Greek Slave, 1866, marble, 166.4 x 48.9 x 47.6 cm (Brooklyn Museum). Speakers: Margarita Karasoulas, Assistant Curator of American Art, Brooklyn Museum and Beth HarrisA Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Correcting the lies of history. Kenseth Armstead, Surrender Yorktown 1781, 2013, graphite on paper, 86 x 68 inches (Newark Museum, © 2012 Kenseth Armstead) Speakers: Kenseth Armstead and Steven Zucker A Seeing America video. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Signs that guide historical understanding. Hock E Aye VI Edgar Heap of Birds, Native Hosts (Arkansas), 2018, aluminum sign, series of seven, 46.7 x 92.5 cm (Crystal Bridges Museum of American Art, ©Hock E Aye VI Edgar Heap of Birds), a Seeing America video. Speakers: Dr. Mindy Besaw, Curator of American Art, Crystal Bridges Museum of American Art, and Dr. Beth Harris. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

The Symmachi Panel, c. 400 C.E., ivory, 32 x 13 cm (Victoria and Albert Museum, London). Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

A portrait of a president transformed by tragedy. Robert Rauschenberg, Retroactive I, 1963, oil and silkscreen-ink print on canvas, 213.4 x 152.4 cm (Wadsworth Atheneum Museum of Art) All works © Robert Rauschenberg A Seeing America video. A conversation with Patricia Hickson, Emily Hall Tremaine Curator of Contemporary Art and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Edward Hopper, Nighthawks, 1942, oil on canvas, 84.1 x 152.4 cm / 33-1/8 x 60 inches (The Art Institut of Chicago) Speakers: Dr. Beth Harris & Dr. Steven Zucker. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

Discrimination undermined the sense of victory for African-American vets. Horace Pippin, Mr. Prejudice, 1943, oil on canvas, 46 x 35.9 cm (Philadelphia Museum of Art). A conversation with Dr. Jessica T. Smith, Susan Gray Detweiler Curator of American Art and Manager, Center for American Art at the Philadelphia Museum of Art and Dr. Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/

A conversation between Dr. Steven Zucker and Dr. Beth Harris standing in front of Lysippos, Apoxyomenos, Roman marble copy after Greek bronze original dating to c. 300 B.C.E. (Vatican Museums, Rome, Italy), and ARCHES video. Created by Steven Zucker and Beth Harris.

Speakers: Dr. Steven Zucker & Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Speakers: Dr. Steven Zucker and Dr. Beth Harris. Created by Beth Harris and Steven Zucker.

Giovanni Bellini, Madonna of the Meadow, c. 1500, oil and egg on synthetic panel, transferred from wood, 67.3 x 86.4 cm (The National Gallery) Speakers: Dr. Steven Zucker and Dr. Beth Harris.

A brief introduction to Italian Renaissance art. Speakers: Dr. Beth Harris and Dr. Steven Zucker. Created by Beth Harris and Steven Zucker.

Virgin of Jeanne d’Evreux, 1324-39, gilded silver, bases-taille enamels on gilded silver, stones and pearls, 68 cm High (Musée du Louvre). Created by Beth Harris and Steven Zucker.

Does the figure emerge from the stripes of the flag, or do they imprison him? Benny Andrews, Flag Day, 1966, oil on canvas, 53.3 x 40.6 cm ©The Benny Andrews Estate (The Art Institute of Chicago), a Seeing America video. Speakers: Robyn Farrell, Assistant Curator of Contemporary Art, The Art Institute of Chicago and Beth Harris. Created by Beth Harris and Steven Zucker. Find learning related resources here: https://smarthistory.org/seeing-america-2/